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R. M. Rao (Cinematographer)
 Akbar Khan approached me with the project and invited me to Jodhpur. The seriousness and commitment of the crew was apparent. I also saw the sets being constructed and was very impressed by the research and the effort.
To cinematograph a historical film is a herculean task. The gigantic sets, their elaborate decor, colourful costumes, exquisite jewellery, mammoth crowds of the courts, the forts, the bazaars and the battles require to be brought to life on celluloid. Specially the night scenes of the film 'Taj Mahal - an eternal love story' presented a difficult problem for me.
In those times the windows were not open. Sunlight streamed in through the intricate columns in the windows and would then bounce of the marble, giving a very diffused, soft light. The only source of light indoors were candles and light streaming in through windows and chicks. The quality of light was very different from the light we have today. But I solved it to the utmost satisfaction of Producer-Director Akbar Khan, guided by my self-confidence. I assure you that the cinematography of this magnum opus is a treat to your eyes and heart.
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